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Composing Music with Computers with CDROM by Eduardo Miranda,

Composing Music with Computers with CDROM by Eduardo Miranda,
Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike. The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by research centres world-wide, including Nyquist, Bol Processor, Music Sketcher, SSEYO Koan, Open Music and the IBVA brainwaves control system, among others. This book will be interesting to anyone wishing to use the computer as a companion to create music. It is a comprehensive guide, but the technical terms are explained so it is suitable for students, professionals and enthusiasts alike.



Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music with CD (Audio) by Michael Tenzer,
Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music with CD (Audio) by Michael Tenzer,
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.



Grawemeyer Award (Music Composition) - The Grawemeyer Award for music composition is an annual prize instituted by H. Charles Grawemeyer, industrialist and entrepreneur, at the University of Louisville in 1984.

Tala (music) - In Indian classical music, Tala (tāl (Hindi), tāla (anglicised from talam; in Sanskrit), literally a "clap", is a rhythmical pattern that determines the rhythmical structure of a composition. Each composition is set to a tala, and as a composition is rendered by the main artist(s), the percussion artist(s) play the pattern repeatedly, marking time as well as enhancing the appeal of the performance.

Formula composition - Formula composition is a serially-derived technique encountered in the music of Karlheinz Stockhausen, involving the rotation and expansion of a single melody-formula (usually stated at the outset). Though foreshadowed in the withdrawn Formel of 1951, the technique made its first appearance proper in Mantra in 1970, and has been the central focus of Stockhausen's music ever since.

Computer-generated music - Computer-generated music is music composed by, or with the extensive aid of, a computer. Although any music which uses computers in its composition or realisation is computer-generated to some extent, the use of computers is now so widespread (in the editing of pop songs, for instance) that the phrase computer-generated music is generally used to mean a kind of music which could not have been created without the use of computers.



musiccompositiontool

Music Composition Tool - Music Composition Tool Composing Music with Computers with CDROM by Eduardo Miranda, Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars music composition tool and fractals, to genetic algorithms, cellular automata music composition tool and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full ...

Music Composition Tool - Music Composition Tool Composing Music with Computers with CDROM by Eduardo Miranda, Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars music composition tool and fractals, to genetic algorithms, cellular automata music composition tool and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full ...

Automated Composition Music - Automated Composition Music Musical Worlds: New Directions in the Philosophy of Music by Philip Alperson, A state-of-the-art collection of essays in philosophical thinking about the practice of music. This volume, reproducing a special issue of The Journal of Aesthetics automated composition music and Art Criticism on "The Philosophy of Music" (Winter 1994) with a revised introduction automated composition music and two new articles, is distinguished by its breadth of content, diversity of approaches, automated composition music and clarity ...

Automated Composition Music - Automated Composition Music Musical Worlds: New Directions in the Philosophy of Music by Philip Alperson, A state-of-the-art collection of essays in philosophical thinking about the practice of music. This volume, reproducing a special issue of The Journal of Aesthetics automated composition music and Art Criticism on "The Philosophy of Music" (Winter 1994) with a revised introduction automated composition music and two new articles, is distinguished by its breadth of content, diversity of approaches, automated composition music and clarity ...

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